Active Filters:
Unique Durations: 8-9
Unique Accidentals: 1
Clear All Filters

Uploaders

SDG
Enigma variations, Nimrod, Eward Elgar, Lux Aeterna
SDG
3:44 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
Tenor
I		 Treble 14 0 2 7 95%
Soprano
II		 Treble 14 0 2 8 93%
Tenor
II		 Treble 12 0 2 9 93%
Bass
I		 Bass 12 0 1 9 91%
Soprano
I		 Treble 15 0 2 9 91%
Bass
II		 Bass 14 1 1 8 89%
 
The Power Of Your Love, Lord I come to You, Geoff Bullock. SATB Arrangement: Gertim (SDG)
SDG
1:48 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 0 8 99%
Bass 13 0 1 8 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 0 8 99%
Bass 13 0 1 8 99%
 
Amazing grace, how sweet the sound, SATB, choir, Genade Gods, oneindig groot, dat ik die 't niet verdien, (Opw. 428), also sung by Elvis Presley.
SDG
0:38 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 2 1 8 100%
Tenor/Bass Bass 14 3 3 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 2 1 8 100%
Tenor/Bass Bass 14 3 3 7 100%
 
Enigma Variations, No. 9 Nimrod, just vocals, choir, Lux Aeterna, Edward Elgar.
SDG
3:44 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
Tenor
I		 Treble 14 0 2 7 95%
Soprano
II		 Treble 14 0 2 8 93%
Tenor
II		 Treble 12 0 2 9 93%
Bass
I		 Bass 12 0 1 9 91%
Soprano
I		 Treble 15 0 2 9 91%
Bass
II		 Bass 14 1 1 8 89%
 
Jauchzet, frohlocket, auf, preiset die Tage!, BWV 248 # 1
SDG
13:19 Est. Play
Time
203 Measures
5,015Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello, Fagotto
e Continuo		 Bass 24 0 8 5 93%
Contrabass Bass 24 0 8 5 93%
View all 20 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello, Fagotto
e Continuo		 Bass 24 0 8 5 93%
Contrabass Bass 24 0 8 5 93%
Fagotto Bass 24 0 8 5 93%
Viola. 23 0 8 8 93%
Violino
II.		 Treble 24 0 8 8 93%
Violino
I.		 Treble 28 0 9 8 91%
Oboe
II.		 Treble 19 0 6 8 79%
Flauto
traverso
II.		 Treble 22 0 7 8 79%
Flauto
traverso
I.		 Treble 23 0 7 8 78%
Oboe
I.		 Treble 21 0 7 8 78%
Tenore. 18 0 6 7 71%
Alto. 17 0 6 7 70%
Basso. Bass 18 0 6 7 70%
Soprano Treble 19 0 6 8 67%
Treble 19 0 6 8 67%
Soprano. 19 0 6 8 67%
Tromba
I.		 Treble 12 0 1 8 34%
Tromba
II.		 Treble 11 0 1 5 29%
Tromba
III.		 Treble 7 0 0 5 28%
Timpani. Bass 2 0 0 5 27%
 
Jauchzet, frohlocket, auf, preiset die Tage! (MuseScore version). Bach, Weihnachts Oratorium, opening choir, BWV 248
SDG
13:19 Est. Play
Time
203 Measures
4,967Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello, Fagotto
e Continuo		 Bass 24 0 8 5 93%
Contrabass Bass 24 0 8 5 93%
View all 20 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello, Fagotto
e Continuo		 Bass 24 0 8 5 93%
Contrabass Bass 24 0 8 5 93%
Fagotto Bass 24 0 8 5 93%
Viola. 23 0 8 8 93%
Violino
II.		 Treble 24 0 8 8 93%
Violino
I.		 Treble 28 0 9 8 91%
Oboe
II.		 Treble 19 0 6 8 79%
Flauto
traverso
II.		 Treble 22 0 7 8 79%
Flauto
traverso
I.		 Treble 23 0 7 8 78%
Oboe
I.		 Treble 21 0 7 8 78%
Tenore. 18 0 6 7 71%
Alto. 17 0 6 7 70%
Basso. Bass 18 0 6 7 70%
Soprano Treble 19 0 6 8 67%
Treble 19 0 6 8 67%
Soprano. 19 0 6 8 67%
Tromba
I.		 Treble 12 0 1 8 34%
Tromba
II.		 Treble 11 0 1 5 29%
Tromba
III.		 Treble 7 0 0 5 28%
Timpani. Bass 2 0 0 5 27%
 
Ere zij God. Dutch Christmas song. Sampleset: Giubiasco. Arrangement: Gertim.
SDG
2:20 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 9 0 1 8 100%
Contrabass Bass 12 0 2 7 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 9 0 1 8 100%
Contrabass Bass 12 0 2 7 100%
Flute Treble 11 0 2 8 100%
Soprano/Alto Treble 11 0 2 8 100%
Tenor/Bass Bass 17 0 3 8 100%
 
God and God alone created all the things we call our own, is fit to take the universe's throne. Let everything that lives reserve its truest praise, for God and God alone. Steve Green. Phill McHugh. Creator, creation. SATB.
SDG
2:58 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 20 0 3 8 100%
Bass 23 0 7 8 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 20 0 3 8 100%
Bass 23 0 7 8 100%
Flute Treble 15 0 1 8 100%
Horn
in
F		 Treble 15 0 1 8 100%
Violin Treble 15 0 1 8 100%
Contrabass Bass 19 0 6 8 50%
Viola 14 0 2 8 50%
Violoncello Bass 19 0 6 8 50%
 
184. Ich ruf' zu dir, Herr Jesu Christ. BWV 185.6.
SDG
1:04 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 1 8 100%
Tenor/Bass Bass 19 0 4 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 1 8 100%
Tenor/Bass Bass 19 0 4 6 100%
Violin Treble 15 0 3 5 100%
Contrabass Bass 15 0 3 4 50%